Dwayne Wannamarra Wyndier Kennedy PhD

Warm welcome! Here you will find the artist's curated Gallery. Below the Collection find the Artist’s Statement, Artistic Periods, Selected Past Works, Biography, and Publications.

Artist Statement

My name is Dwayne Wannamarra Andrew Kennedy, and I am a visual artist from Guyra, based in Armidale, NSW, Australia. I honor my Waradjuri, Kamilaroi, Irish, and French family heritage. My work spans a range of styles, including traditional Aboriginal, impressionist abstract, and abstract realism, with elements of graphic arts and design. I create my paintings in acrylics on stretched canvas, wooden boards, and panels.

As a visual artist, my paintings and ceramics are inspired by family's identity and culture. My work is driven by the struggles and joys of everyday people—those who persevere and find an empowering way forward. Over the years, I've created commissioned Australian landscapes and figurative works. My studies in graphic arts and fashion design have given my work strong forms and unique perspectives.

Art is a personal and essential practice for me, like breathing. It has been a sanctuary since childhood. Surviving early childhood severe burns to most of my upper body gave me a fresh perspective on identity and human relationships. Immobilized for so long, I had to rely on my family, which helped me find a deep inner source of resilience and strength. This experience fostered a profound commitment to positive attitudes and empowerment, values that guide my relationships and my lifelong work in disability and mental health support.

My art practice is incredibly healing and offers a way to reflect on life, meaning, survival, and empowerment. I believe that the contemporary reawakening of Sacred Dreaming and Songlines, which is at the heart of truly artful practice, can profoundly help people in their daily lives. Art-as-Sacred seeks to be immediately understood while conveying deep and mysterious messages and cultural teachings that can reveal more to people over many years.

Having finished high school illiterate, I invested everything into improving my skills, teaching myself to read and write. I undertook many formal qualifications that contribute to my artistic practice, including a Bachelor of Teaching, a Bachelor of Education, a Bachelor of Counselling, a Master of Education Honours with a thesis on Indigenous Healing and Empowerment, and a PhD in Counselling and Art Therapy.

Artistic Periods

From early childhood, Dwayne was always drawing with graphite pencils. His earliest work focused on freehand original pastiche cartoon images from the 1970s Disney characters. Drawing continued to develop with coloured pencils and paintings on fabric with Hobbytex paint (pigment suspended in a spirit-based medium applied from tubes). These works suggested landscapes, trees, and with cartoon figures.

From age 11, Dwayne was painting approximately 80 x 100 cm Australian landscapes that featured pastoral estates and scenes from Lightning Ridge. He also did a series of small landscapes on plywood board from 11 x 15 to 30 x 21 cm. From age 16, Dwayne painted commissioned landscapes on furniture including large hope chests (called glory boxes in Australia), large crosscut saws and rough-hewn slabs of pine.

After graduating Dwayne took private painting lessons for a year with a locally based landscape artist John Murray. Dwayne’s talents in design and calligraphy led to qualifications in Sign and Show Card Writing. During a Bachelor of Teaching Dwayne designed and illustrated a children’s book that was later published as Lypptus the Gum Tree Dragon. Then followed a Bachelor of Education, and qualifications in Fashion Design.

From 2000, this period in his paintings showcased Aboriginal Australian themes highlighting post-colonial critiques and envisioning healing and cross-cultural engagement. At the same time, Dwayne finished a Bachelor of Counselling and a Master of Education. Under a competitive scholarship, Dwayne embraced qualifications in Graphic Design. He was then awarded full scholarship for a PhD in Counselling and Art Therapy.

The Australian Counselling Association contracted the use of the image from Dwayne’s painting Butterfly Awakening, using the image as a prominent logo on the website of their international research journal. While working in specialist fields of therapy, this period included Dwayne’s paintings attracting commissions and private sales.

During 2010, Dwayne’s paintings were featured in an international exhibition hosted by Cape Breton University Art Gallery in Sydney, Nova Scotia, Canada. The show was entitled Three Artists, Two Countries, One Heart. His mother, Grace Kennedy’s paintings were also featured prominently with the Mi’kmaq First Nation themed works of Dr Jorandi (Joseph Randolph) Bowers.

During 2019, Dwayne’s painting served as a book cover for Solitude Awakens: The Heart Forest Mountain Way. During 2020, his work illustrated two book covers for Stardust Awakens: From Social Isolation to Finding Your Purpose and Destiny; and Homophobia and Healing: Psychotherapy and the Psychology of Prejudice.

From 2024, Dwayne’s renewed visual arts focus completed several works and explored new landscapes and well as Indigenous, traditional, and graphic arts themes.

Biography

Dwayne Wannamarra Wyndier Andrew Kennedy was born in 1968, is from Guyra and is based in Armidale NSW, Australia.

Childhood years were spent with his large family traveling Australia and engaging in seasonal harvests. Dwayne’s mother Grace provided encouragement and artistic guidance. These years influenced Dwayne’s art practice with many hours of solitary drawing. School art experiences included painting, ceramics, cursive writing, and industrial arts. Dwayne was known early on for artistic talent and commissions began during childhood, including large landscapes of 100 x 80 cm, and smaller hand cut wood canvases.

Art practice advanced through study and winning awards in graphic arts, fashion design, sign making and printing, and through gaining professional qualifications in teaching, and advanced degrees in research, counselling, and art therapy. These holistic efforts moved art production to new levels of meaning and purpose, giving artistic works a depth of narrative associations. For example, Dwayne was able to integrate his paintings as central metaphors in his Masters Honours and PhD research publications. Critique of colonial and historic social and political issues became woven into art practice, and in some sense slowing down the art production itself to allow for a greater depth of analysis.

At the same time, consolidation of skills and scholarly work has led Kennedy to appreciate painting and ceramic art production even more. Current efforts focus on consolidation and moving the narrative needle forward toward freedom of expression and minority celebration. Dwayne welcomes art production being directly supported by collectors and buyers at this juncture.

Selected Publications

Bowers, J.K.J.R. and Kennedy D.W.A. (2025) Oz FineArt Collector’s Prospectus Launch Edition 2025: Narrative Art, Cultural Legacy, Contemporary Practice, Ability Therapy Specialists Pty Ltd, Armidale NSW. ISBN 978-1-925034-24-0.

Kennedy, D. 2020, Dreaming Emu: Men, Trauma, Art, and Healing.

Kennedy D, and Kennedy G. (2020) Lypptuss the Gum Tree Dragon: You Too Can Have Friends, Ability Therapy Specialists Pty Ltd, Armidale.

Bowers J. and Kennedy, D. 2018, Clinical Practice with Indigneous Australians, In Pelling N, & Burton L. Abnormal Psychology in Context: The Australian and New Zealand Handbook, Cambridge University Press, New York.

Kennedy, D. 2011, ‘Dreaming Emu: Indigenous cultural empowerment through art as therapy – Men & healing from the violence of colonisation,’ A PhD Thesis in Partial Fulfillment of the degree Doctor of Philosophy, School of Humanities and Peace Studies, University of New England, Armidale.

Kennedy, D. 2010, PLACE: Three artists, two countries, one heart: An exhibition of contemporary Indigenous paintings from Australia and Canada, Inaugural Exhibition, Cape Breton University Art Gallery, Sydney, Nova Scotia, Canada. 

Atkinson, J. Kennedy, D. Bowers, R. Aboriginal First Nations Approaches to Counselling, In Pelling, N. Bowers, & Armstrong, P. 2006, The Practice of Counselling, Thomson Publications, Melbourne, Atkinson, J. Kennedy, D. Bowers, R. 2006, Aboriginal and First Nations Approaches to Counselling, In (Eds.), Pelling, N. Bowers, R. & Armstrong, P. 2006, The Practice of Counselling, Thomson Publications, Melbourne.

Kennedy, D. 2006, Indigenous Awakenings: Facing the challenges of education, culture, and healing in Aboriginal Australia, The University of New England A thesis submitted for the degree of Master of Education with Honours, School of Professional Development and Leadership University of New England October 2006.

Kennedy, D. 2005, ‘Butterfly Awakening,’ A commissioned icon from an original painting, commissioned by C.P.H-Journal Board of Editors, Medium: Acrylic on Canvas, Australian Counselling Association, Sponsored by the Australian Counselling Association, for the artist’s commentary on the work.

Scholarly CV available upon request.

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